this post was submitted on 14 Jul 2026
413 points (94.4% liked)

Technology

86387 readers
3588 users here now

This is a most excellent place for technology news and articles.


Our Rules


  1. Follow the lemmy.world rules.
  2. Only tech related news or articles.
  3. Be excellent to each other!
  4. Mod approved content bots can post up to 10 articles per day.
  5. Threads asking for personal tech support may be deleted.
  6. Politics threads may be removed.
  7. No memes allowed as posts, OK to post as comments.
  8. Only approved bots from the list below, this includes using AI responses and summaries. To ask if your bot can be added please contact a mod.
  9. Check for duplicates before posting, duplicates may be removed
  10. Accounts 7 days and younger will have their posts automatically removed.

Approved Bots


founded 3 years ago
MODERATORS
(page 3) 50 comments
sorted by: hot top controversial new old
[–] neuracnu@lemmy.blahaj.zone 44 points 1 day ago

Kokaku’s website is blocking my VPN connection. Here’s the text of the article.

George Lucas Goes To The Dark Side, Says AI Is ‘The Future’

By Kenneth Shepard Published July 14, 2026

The Star Wars creator compares not using AI to riding a horse in the face of cars

I would like to think that not every prestigious filmmaker is vulnerable to the AI propaganda, but it feels like we’re getting new stories of someone partnering with or advocating for the use of artificial intelligence as the future of cinematic storytelling every day. The newest addition to the list? Mr. Star Wars himself, George Lucas, and man is his reasoning a bummer.

In an interview with A Rabbit’s Foot, Lucas discussed his career and the Lucas Museum of Narrative Art, opening this fall in L.A., which will be showcasing decades of human-made art and spotlighting, as its website calls it, “stories and people who tell them.” In the lengthy interview, Lucas shares some meaningful insights into filmmaking, discusses his collaborations with people like Indiana Jones director Steven Spielberg, and even offers some pithy observations about the pitfalls of testing films with focus groups and whether or not the average viewer is actually in touch with what they like about movies.

“If they don’t like a character, that’s interesting, and as a filmmaker I want to find out why,” he says. “But when the studios hear that, they take the wrong message. They let the audience actually make the movie. Of course, now they go crazy with that. Now, it’s all about what the fans think. That isn’t how you make the movie. You make a movie by finding someone that knows how to make movies, that has a story to tell and is passionate about it.”

Jarringly, this advocacy for human-led storytelling is followed by claims that AI is “the future,” and Lucas compares not using the new technology to relying on antiquated transportation in the face of cars.

“Artificial intelligence means it’s much easier for us to make movies,” he tells A Rabbit’s Foot. “It’s very much like sitting here saying, ‘Well, I believe the horse and the buggy is really where it’s at. These cars, they break down, they need gas, there’s all kinds of problems with them and pretty soon they’ll be making them into tanks, and then they’ll be killing people. It’s terrible.’ There’s nothing you can do about it. That’s progress, it’s the future.”

Though he acknowledged the risks of using the plagiarism machine when A Rabbit’s Foot questioned him further, he doubled down by highlighting other benefits he believes AI will provide in the future.

“If you want AI that tells you when something is fake and where it came from, AI can do that,” he says. “Humans can’t, we’re not that smart. The whole idea is you’re a human being, you’re responsible for what you say and what you do, and if you’re doing something that’s illegal you should be punished for that. Whatever you do, you should be recognized. It’s just like real life.”

There’s a scene in Star Wars Episode V: The Empire Strikes Back where Luke Skywalker is training alongside Yoda and learning the ins and outs of being a Jedi, and he asks if the dark side of the Force is stronger than the light side. Yoda replies that it’s not, but that many fall to it because it is “quicker, easier, more seductive.” That movie was released 46 years ago, but it is certainly illustrative of the logic Lucas is using here. 

He advocates for the importance of human-made art, but then argues that using technology that is notorious for stealing from humans and whose results generally look like shit compared to work made by hand would make the filmmaking process “easier.” It’s “the future” and there’s “nothing you can do about it”? It’s contradictory to believe both that it’s the human spirit that makes great films and also that a technology that’s being used to remove the human element from the process is the future of making movies. If that makes me naive and means I’m fighting against the inevitable, then I will go down swinging.

[–] AccoSpoot1@lemmy.world 2 points 1 day ago

He climbed the ladder, and now he doesn't care if it gets kicked down.

[–] Munkisquisher@lemmy.nz 15 points 1 day ago (2 children)
[–] GhostFace@lemmy.today 1 points 1 day ago

Not sure if he gets it. He might be on the right side but there's not really a pushback.

Life sometimes feels like a comedy skit where everyone hates the idea of AI taking their jobs but still uses it anyway.

[–] dustyData@lemmy.world 2 points 1 day ago* (last edited 1 day ago)

Nolan is an elitist asshole and his movies are not that great, actually. That is just him going “kids these days” like an old fart. He is all in on the IMAX scam. He insists on bad audio mixing (horrible even on theaters) hiding under the “I only mix for IMAX theaters” excuse. At least he acknowledges that it is Hollywood that is terribly out of touch with reality. Backrooms is successful because it connects with the audience nothing to do with whether it uses CGI or not (the Oppenheimer nuclear explosion scene is SO bad in an otherwise fine movie). And Backrooms was filmed on a regular digital 35mm Red camera at 1.85 ratio with regular Dolby Atmos and you can absolutely hear the dialogue. He might denounce AI slop but doesn't realize that he's also been using tech as a crutch to his creative shortcomings.

[–] BarneyPiccolo@lemmy.today 5 points 1 day ago (1 children)

I doubt ANYBODY is going to be surprised by this.

[–] MangoCats@feddit.it 1 points 1 day ago (1 children)

I mean, I thought George could read a room a little better than this, but maybe the interviewer managed to put him at ease enough to say what he's really thinking.

load more comments (1 replies)
[–] Lucidlethargy@sh.itjust.works 10 points 1 day ago

No this isn't abnormal. He's been a shit for decades now.

[–] djsiete@sh.itjust.works 2 points 1 day ago (4 children)

Might be a controversial take but this guy's only achievement is to create a franchise for children that isn't even that good.

[–] NauticalNoodle@lemmy.ml 1 points 1 day ago

THX 1138 was a solid film.

[–] MangoCats@feddit.it 1 points 1 day ago (8 children)

I agree with your take, but I also agree with GL on this one... if you continue to get around in horse drawn carriages because cars are smelly and dangerous and non-traditional, you're going to get left behind.

There are plenty of things horses and carriages are "better at" than cars, particularly traversing long distances in a country with streams and fields and no gas stations. However... there are also things that cars are better at than horses and carriages...

I used to program in assembly language about 10-30% of my working time, up through the early 1990s. What changed? Optimizing compilers finally got better at writing assembly code than me. They had been around for decades, but they had always been a little bit lacking, until then. I still code for a living, but I haven't even looked at an aseembly listing in 25 years. I get significantly more done, faster and more reliably using compiled (and interpreted) languages than I do using assembly code, which I used to be able to use to make the complied (and especially interpreted) programs dramatically faster. Compilers do that for me now.

As of today, AI is kicking my ass at reviewing my colleagues' code. It's not saving me any work, I spend 2-3x more time in code reviews now than I did before AI code review "was a thing" - but now, those code reviews are 20-50x more valuable than they used to be. We're catching many more problems in the code (and documentation) at review time, not after the software gets into customers' hands. That's a very good thing, and today I would consider anyone who ships critical code without an AI review to be negligent.

[–] Adderbox76@lemmy.ca 1 points 1 day ago (3 children)

Using AI to double check your code is very different from using AI to replace your skilled creative talent on a motion picture. It's not even an accurate comparison.. GL isn't talking about coding, he's talking about visual effects, writers, even actors...all of whom who's careers are at risk.

You want to use AI to make sure you didn't miss a semicolon at the end of a line, great...knock yourself out. But that has literally nothing in common with what Lucas is blathering about here.

load more comments (3 replies)
load more comments (7 replies)
load more comments (2 replies)
[–] Anahkiasen@lemmy.blahaj.zone 35 points 2 days ago

Classic George L, I wouldn't have expected any more from him

[–] ElcaineVolta@kbin.melroy.org 25 points 1 day ago (4 children)

Frank Herbert wasn't around to tell him how to think about it, I guess.

load more comments (4 replies)
[–] marxismtomorrow@lemmy.today 24 points 1 day ago* (last edited 1 day ago) (1 children)

The guy that essentially added lasers to Japanese movies and somehow became a multi-billionaire is a fan of stealing other's work with minimal effort and reusing it without permission?

I'm shocked. Shocked I say.

[–] naught101@lemmy.world 18 points 1 day ago (1 children)

I mean, to be fair to the 70s version of Lucas, that's basically how all art works. New combinations of old ideas.

load more comments (1 replies)
[–] valar@lemmy.ca 25 points 2 days ago

common George Lucas L

[–] scarabic@lemmy.world 7 points 1 day ago* (last edited 1 hour ago) (1 children)

I would like to think that not every prestigious filmmaker is vulnerable to the AI propaganda, but

What a condescending opener. Whatever you think of George Lucas, he’s made some cool stuff, he did it the old fashioned way, and he’s not constrained by resources. But rather than listen to what he has to say on the topic, this guy begins with the presumption that no, George must be deluded from swallowing propaganda.

I’m hardly George Lucas’s biggest fan but this writer can blow me.

load more comments (1 replies)
[–] tunetardis@piefed.ca 9 points 1 day ago (1 children)

“It’s very much like sitting here saying, ‘Well, I believe the horse and the buggy is really where it’s at. These cars, they break down, they need gas, there’s all kinds of problems with them and pretty soon they’ll be making them into tanks, and then they’ll be killing people. It’s terrible.’ There’s nothing you can do about it. That’s progress, it’s the future.”

Ok, I'm sold. Where can I pick up this horse and buggy?

load more comments (1 replies)
[–] arctanthrope@lemmy.world 19 points 1 day ago (1 children)

it probably produces dialog that sounds more like it was written by a human

load more comments (1 replies)
[–] newton@feddit.online 7 points 1 day ago
load more comments
view more: ‹ prev next ›