I don't think the author likes mastodon dot social...
I couldn't get through all of this blog post because it's repeating the same point 500 times. I get the theoretical threat scenario they are painting; what's missing are the receipts. Is moderation on that instance actually getting worse? Have we talked with admins on the record how they don't dare defederate from that alleged wretched hive of scum and villainy? And two other angles are missing: (1) a name brand instance might be a good starting point on the fediverse. It's still better than Xwitter. And (2) people are not donating enough to their instances, who are then run on dedication and held together by duct tape. The fear of having one's instance shut down because the admin is out of money and duct tape makes people gravitate towards the bigger instances.
I'm not opposed to recommending people to find other, smaller instances - that is a good idea. It's just this blog post reads more like a hit piece.
All the so-called AI companies are [expletive redacted] that often obtained their training data in questionable ways. And they should be sued and made to pay.
What is missing in my opinion from a lot of artists, who now hold one fist in the air and a pitchfork in the other marching on Silicon Valley, is an acknowledgement of risk that they took when they put their artwork themselves on the internet. The risk used to be other people could take, copy, duplicate it but this was balanced by being able to monetize it. That nothing that ends up online is ever safe was known two decades ago. If your stuff was stolen from galleries and coffee table books, I'm not talking about you. If you made your stuff available so search engines and social media sites could bring you costumers, you're it.
Also, why are companies able to obtain training data in "creative" ways? Because you and me and all of us like cutting corners and getting shit for free. So we steal, copy, duplicate, torrent stuff. Sure, point your finger at Facebook for torrenting together their model. Also point your finger at the people who provided the training data this way. Many people will end up pointing their fingers at themselves here.
I think the author invokes the Luddites and doesn't realize that we might just see history repeating. The Luddites were skilled artisans fighting against slave labor automization. They lost. Many were displaced by industrial progress, a smaller number remained. Fast forward to today and visual artists like the author fight the evil automated LLMs. They will also lose; a small number will prevail.
Every technical advancement has brought these upheavals and we are in one right now. There are far fewer landscape and portrait painters around today because they had to go Picasso or impressionist when photography rolled around. There are far fewer negative developer jobs these days as entry level jobs in photography because use of film has fallen off a cliff. We also have fewer manual typesetters and no cavalry to speak of. Shit changes. Shit is changing now.
Art will prevail. Human made one will be sought after. But there market will not be the same. The only thing we can do now is trying to catch all those people and jobs this technological leap will shuffle loose. Like we tried our best with coal miners or factory jobs that went to China.