atmur

joined 3 years ago
[–] atmur@lemmy.world 1 points 2 years ago (1 children)

When CPUs were a lot slower you could genuinely get noticeable performance improvements by compiling packages yourself, but nowadays the overhead from running pre-compiled binaries is negligible.

Hell, even Gentoo optionally offers binary packages now.

[–] atmur@lemmy.world 1 points 2 years ago (1 children)

That's easy, just pick btrfs, gnome, pipewire, systemd, gdm, grub, and add flatpak in your additional packages.

Every other configuration is wrong.

/s

[–] atmur@lemmy.world 1 points 2 years ago (1 children)

Now imagine the same meme but with Gentoo and LFS

 

Trying Plasma for a bit to see how green the grass is as a longtime Gnome user. The last time I ran Plasma on my main desktop was version 5.11, I think? It's been a while...

[–] atmur@lemmy.world 2 points 2 years ago* (last edited 2 years ago)

it'll usually be the artist's name. Like if you search for "Taylor Swift", you'll get exactly zero results because that phrase is blacklisted due to a complaint from the label. If you instead search for a specific song, you will see results, and can work backwards from there to find the album you're looking for.

[–] atmur@lemmy.world 1 points 2 years ago

Yeah, I've had to use that blacklist workaround on many occasions, lol

 

This post is mostly just me bitching about the music industry but also genuine interest in what other people in this community do when it comes to music streaming. Apologies if this is an incomprehensible wall of text.


My favorite self-hosted project is Navidrome. I've been running it for years and it's been absolutely perfect the entire time. Related clients like Supersonic and Tempo have been fantastic as well. More than half of my donations to open source software have been to music related projects like these, I use them for multiple hours every day.

I'm giving up on using them though, because actually obtaining the music to stream has become harder and more expensive every year. Unlike self-hosted movie/tv streaming, the primary reason I self-host music is to support the artists. I feel better paying $10 for an album I enjoy compared to the artist getting pennies from me streaming it. I'm sure as hell not doing this to save money, I spend around $30/month on average on new music.

My only criteria for buying music is that it's at least CD-quality. Going back a few years, my options (ordered by preference at the time) were Bandcamp, Qobuz, 7Digital, the artist's own website, physical CDs that I'd rip myself, then finally giving up and using Soulseek. Bandcamp and Qobuz would typically cover 95% of what I was looking for, I'd rarely need to use Soulseek.

But over the course of those past few years...

Bandcamp was bought by Epic, then sold to Songtradr, half of its staff were laid off, and it's been a shell of its former self ever since. It seems like Bandcamp is now mostly ignored by artists, with albums rarely releasing or releasing far later than other platforms. It's genuinely a surprise when I find the artist or album I'm looking for on Bandcamp at this point.

Qobuz has been experiencing rapid enshittification as they try to get people to subscribe to their streaming service. Dark patterns added throughout the purchase and download process, albums being pulled from my account, and albums becoming more expensive (I'm seeing a whole lot more $15-$20 albums than $10 albums now).

7Digital is dead.

Artist websites rarely offer lossless downloads anymore. Last time I bought an album directly from an artist was Madeon in 2019, and that's now an archived page you have to go out of your way to find.

CDs are somehow still a reliable option, but I just cannot justify this anymore. At some point having a collection of 250 plastic discs that I rip precisely once and then store forever just doesn't make sense. I'm tired of buying physical clutter to get digital files. I sold a sizable chunk of my collection a few months ago.

Soulseek, the "fuck it I'm pirating it" option whenever I can't buy an album through any available means. Surprisingly even Soulseek seems to be suffering, I used to be able to find anything, but now even a slightly obscure release can be hard to find.

So now, my preferred options are Bandcamp, Qobuz if the album is less than $15, then Soulseek. I'm using Soulseek a hell of a lot more now, which defeats the point of why I do this in the first place. So fuck it, I subscribed to Tidal.

But like, what the fuck? Why is it so hard to give artists more money?


So, for others who self-host their music collection, or even still rock an iPod or something, what do you do? Do you buy lossy releases? Do you pirate everything? Is there a magical website that has every album for sale that I just don't know about? CDs? I can't be the only one with this problem, but I haven't seen anyone else talk about it.

 
 
[–] atmur@lemmy.world 1 points 2 years ago

a commercial version of WINE

That would be CrossOver by CodeWeavers. They're actually a huge contributor to upstream Wine and have worked with Valve (and I think Collabora?) several times over the past few years. I'm kind of tempted to buy a copy of CrossOver to support them even though I'd never use it, lol

[–] atmur@lemmy.world 1 points 2 years ago

That's a perfect way to put it. From constantly relying on ProtonDB to occasionally checking areweanticheatyet.com.

[–] atmur@lemmy.world 1 points 2 years ago

Mindlessly watching glxgears is the greatest experience a GPU can render.

 

I remember when Proton launched it was like magic playing games like Doom and Nier Automata straight from the Linux Steam client with excellent performance. I do not miss the days of having the Windows version of Steam installed separately.